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Mothers don’t always tell their daughters anything, but Margot Nielsen just really wants to connect with the family she had never known. Some secrets lead to a rabbit hole and the truth puts Margot and her new friends in danger.
Much like her debut, Wilder Girls, Power has such a knack for writing feral, unlikable main female characters. Margot is determined to survive and not afraid to put up a fight. The stream of conscious writing is excellent because it allows room for these asides that show just how pissed off Margot is at, well, everyone around her. In addition, even though it has no real bearing on the plot, Margot is a queer girl who loves girls and it’s on the page.
The book is steeped in this creeping dread as the reader explores the notes and diaries left behind by Margot’s mom. Gram is also sweetly unsettling, and to say anything more would absolutely be spoilers territory. There’s definitely a sense of history in the farmhouse and the ruined cornfields, and the layers keep going and going.
A delightful Midwest horror in which family secrets are kept tucked away for good reason.