Genre: Dark Fantasy Shonen
Year Release in English: 2017-2018
Source: Viz Media Shonen Jump Subscription
As with most things, this blog is a work in progress. I’ve decided that instead of spamming with multiple blog entries if I read a whole bunch of chapters at once, I’m going to do a compilation post instead. The star rating reflects overall opinion of the series.
Content warnings: Child murder, gaslighting
What an idyllic start to a dark fantasy. Kids with serial numbers on their necks live in harmony at an orphanage with a Mom who takes care of them, a daily test, and entire afternoons spent playing. Things are a little strange, with the gate, the smooth wall, and lack of other humans around, but it’s fine (for now).
When one of them is picked to be adopted, the children are elated. Emma and Norman notice that the child left behind her beloved bunny. They go to the gate. Instead of a loving family, there are demons waiting to eat the child. The kids are not to be adopted at all; they are meant for a feast.
The tone shifts with a snap and instills immediate dread. If things seem too good to be true, they likely are, and this manga so far leans into that energy spectacularly. The kids start planning an escape, but it seems futile. I’m very invested in what tricks and secrets are revealed to get these kids out this nightmare.
Content warnings: Child murder, gaslighting, caricature of a Black person
In Volume 2, the children continue planning their escape. This one was a bit of a struggle for me on a few fronts.
The first being the introduction of Sister Krone. Her design and depiction were certainly a choice, in that she is a Black character with exaggerated features reminiscent of caricatures of African-Americans. It is pretty uncomfortable to look, but in terms of her characterization, it was interesting to see someone who’s also interested in taking down Mom, but not for the benefit of the children. This execution of a third party conflict really works, but it’s really difficult to appreciate it with the depiction on-page.
The second point of struggle is the pacing. This volume gets interpersonal between Ray, Emma, and Norman with some fascinating reveals. I just wished that things moved along a little bit more quickly. It feels at times as if Shirai does not trust readers to keep the facts in their heads.
Content warnings: Child murder, gaslighting, caricature of a Black person, death of a Black character
Finally, there is plot movement as the kids get closer and closer to escape they. But Mom knows all and uses her influence to both literally cut the escape plan at the knees and eliminate Sister Krone. The tension amps up, and I am so relieved that it is less dialogue-heavy. It seems that Shirai is finally trusting the reader more, and I hope that momentum continues
The ending ends on an explosive note, but wow do these kids need to get out as soon as possible, for all our sakes.
Jo Writes Fantasy 
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