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Content warnings: Cutting off a finger, removal of an eye
The structure of this novella is absolutely fascinating. Manet, Amanuensis to the God King, is trying to solve the riddle of her origin and the secret of the king himself. She also has the seventh perfection, a condition which grants her perfect memory.
Which leads seamlessly explains why and how each chapter of this book is told via dialogue from an intriguing character. It reads to me like the dialogue from an RPG, except we don’t have the visuals and interiority of the main character to ground us in a story. It’s all told from the perspectives of essentially NPCs. But the tone, pacing, and sense of a larger world are all there. The history and aesthetics of the land simply shines. It’s a magic-techno world where a discussion unfolds about mythology and the veracity of epic tales that become more legend than historical account, even if contemporaries still exist in the present.
The journey to having the curtains pulled on god’s truths is a wild ride, and The Seventh Perfection is highly recommended for those wanting to read experimental novels or novellas.
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Content warnings: Water and drowning, cult activity
Piranesi is a book that takes place in an impossibly labyrinthine mansion where the basement is flooding. It is told from the journal of a narrator who may or may not be named Piranesi.
The plot centers on Piranesi cataloguing all the locations and the ways he spends his days. There are two other characters, the Prophet and the Other, who exist in the world of the House. Having the story be presented in the form of diary entries really worked for the intrigue. The narrator knows about as much as the reader does, and the pace which both reader and narrator learn the truth of this strange locale works really well. There is also an examination of identity and freedom, which come together seamlessly by the very end. To speak more specifically is spoiler-territory.
The prose and presentation read like a dream diary. The decision to capitalize most proper nouns and giving enough detail to get the sense of shape, but keeping the aesthetic overly vague really added to dream-like quality of this work. There is a sense of time being all sorts of broken, and it all works to unsettle but entrance the reader.
Creepy but entrancing, a whimsical novel with all the trappings of dream gothic.
Rating: 4/5 stars
Genre: Young Adult Contemporary
Year Release: 2020
Source: Hard Copy purchased at Unabridged Books
|Content warnings: Grief, alcoholism
This book starts with Corinne Parker learning of her girlfriend’s death and continues with Corinne processing that loss and the truths about herself that she was hiding from everyone else in her life during her one year relationship. It hurts as much as it uplifts, ending on a well-deserved hopeful note.
The writing in Who I Was With Her is simply elegant. The chapters alternate between moments of Corinne’s year long relationship with Maggie and the present, during which she struggles with an alcoholic mother and not being out as bisexual to those around her. Corinne is a character I desperately wanted to hug, because I definitely related to her fears about coming out and about choosing things for herself, from low stakes decisions to high stakes debates about whether or not to go to college. The tension in this novel stems from a feeling that this too shall pass, focusing on the journey there. There isn’t a dramatic reveal, the plot beats are soft to lend power to the feelings woven throughout.
Another thing that struck me about this book was just how sex positive it was. There are discussions of sex, both queer and heterosexual, but it’s presented as a normal thing teens consider and something that happens between partners. There isn’t any taboo in the discussions, there’s no scandalous connotation, consent is on the page, and most of it is focused as another fragment of Corinne’s interior journey, not a major event in and of itself.
A quiet, heart-wrenching young adult novel about grief and being true to yourself and the fear that comes with that truth.
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Content warnings: Addiction, violence, transphobia
In this cabin-in-the-woods thriller, five friends reunite to play one last session of an RPG. Things take a turn for the worst as one of them goes missing and their game’s story beats turn deadly and real life.
There are 5 POVs: Finn (trans rep), Ever (nonbinary rep), Maddy (autistic rep), Liva, and Carter. Everyone has their secrets, and Nijkamp does a great job weaving the details of their RPG with letting the reader in, while also ramping up the tension. The problems these teens face feel more realistic than some of the trials I’ve read about in the back story portion of these thrillers. Two of them have to deal with being queer in high school, one has excessive pressure to succeed, another has to support their family. It’s very thoughtfully handled and presented, especially the darker aspects.
One of the delights that made this read almost-cute were two things:
Gonfalon works really well as the string keeping the friends together both narratively and metaphorically. I thought it would be just a gimmick to get everyone in the same place, so I was pleasantly surprised that it threaded all the way to the end. There were interludes told from the point of view of a GM as well which worked as a meta-narrative.
Even If We Break reminded me a lot of the game Until Dawn, but with no supernatural elements. If that’s your thing, please give it a read when it hits shelves on 9/15/2020.
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Content warnings: surgery, body horror
There are few things I love more in a story than messy families, magical constructs powered by bones, and mythological lore returning. The Bone Shard Daughter has it all and then some.
The main POVs are the emperor’s daughter, a governor’s daughter, her girlfriend, and a smuggler. Stewart expertly balances these POVs to tell a story about a falling empire. But they don’t just do that, they all have their own goals and aspirations. The places where they intersect are particularly exciting, the choices made there driving the plot.
Much of the interior journey for the characters have one thing in common: they focus heavily on identity. Lin lost a bunch of her memories and tries to discover who she in her father’s shadow, in competitive solidarity with foster-brother Bayan. Both Ranami and Phalue are trying to work through the fact that Phalue is the governor’s daughter and Ranami is a commoner. Jovis, meanwhile, is burdened by how much he misses his wife and the deals he’s willing to make to find her. There is so much pain, but so much hope throughout. I definitely won’t spoil the endings here, but wow the twists were all incredible, and could not be separated from the greater world of the Empire. Every choice has consequences big and small, and the intricacy is simply impeccable.
Speaking of, the world-building filled me with glee. The incorporation of the constructs and the magical way shards powered them blew my mind. Stewart lays out the rules and programming for how the constructs work throughout, but in a deft way where it doesn’t interrupt the narrative. The concept of migrating islands also made me want to learn even more about the world. The fact that Book 2 is being worked on brings me so much joy.
On 9/8/2020, a empire begins its descent as the emperor’s daughter tries to uncover her father’s secrets and rebellion brews throughout migrating islands.
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Content and trigger warnings: domestic violence, dismemberment, gore, emetophobia, self-harm, misogyny
The Hellion picks up a few months after the end of I Come With Knives. Robin and her boo Kenway are on a road trip through Texas. On their way, a mother and daughter hide in their RV, away from an abusive father who may or may not be a shapeshifter. High octane violence ensues, and the witch hunter must harness new powers and protect friends new and old.
How Hunt keeps pulling off this pacing is truly outstanding. The book is split into an A side and a B side, like a cassette tape with a series of tracks. The first half definitely focuses on more human problems, while the second half goes full supernatural. The energy, however, does not let up at any step of the way. The denouement works so well because there is a hint of what’s coming next, but with enough breathing room for the characters to process the entire book that just happened
What I also greatly appreciated was that Robin was finally allowed to have some girl friends. The friendships here are spiky, but powerful. There is a lot of love, whether the characters want to admit it to themselves. The way Robin fights for those around her also strikes me as inspiring. Turns out this badass does have a soft interior, even if sometimes it is covered by a demonic exoskeleton (that’s all I’ll say about that.
On 9/15/2020, prepare for fans of Mad Max: Fury Road with shifters and even more found family feels and queer representation.
Rating: 4/5 stars
Genre: Adult Fantasy
Year Release: 2020
|Listened to the audiobook
Content warnings: Violence, drug use, fantasy gore, arsonI saw that Long John Silver from Black Sails had written a fantasy novel, and I was immediately interested. In this fantasy noir, Fetch Phillips is a human detective who doesn’t work for humans, investigating disappearances around town.
This city felt so alive. There is a deep sense of history and a contemporary culture. It manifests most obviously in the presence of a private school which teaches both magical and human students, and the various types of bars and tea shops. It feels modern in a way I don’t see too often, especially given the presence of cars and other non-magical technology. I found it interesting that perspective of the city came from a feeling of recent-history, not so much ongoing conflict. There is healing, there is trauma, and Arnold doesn’t flinch from any of it.
Fetch is also a compelling narrator. A depressed PI consumed by his regrets, he has insights into the city that ring true given its history. There’s a very self-inflicted kind of bitterness, and that kind of introspection lent the voice an authenticity. He doesn’t seem to feel that the world did him any wrong, but his view of things isn’t at all optimistic. Fetch, however, is also a bit of a disaster. He’s so nervous about repeating the mindset that set off his mistakes, at the expense of his own better judgment and safety.
The plot, however, is a bit slow, with not many action pieces until the very end. It meanders through the different worldbuilding pieces which help us get to know Fetch and Sunder, plus the things that ail both of them. It’s windy, but the bitter, darkly humorous voice helps bring it to life.
A fantasy noir about a city with as many regrets as our main characters, drenched in the aftermath of conflict.
|Read a physical ARC from Erewhon Books
Content warnings: Parental death (in flashbacks), blood magic
Outcast teenage lesbian Sideways Pike performs magic at a killer party and gains a coven. What ensues is an exploration of identity, magic, and female friendship while trying to do normal teen things like go to class, have crushes, and run away from witch hunters.
The voice in this novel is powerful. There’s a bit of stream of consciousness, but Sideways has such a distinct POV and way of phrasing that feels authentic. Clarke makes this look effortless, especially as bits of witch lore and plot have to happen. The way Clarke depicts Sideways griefs and traumas don’t flinch from either the details or the underlying emotional journey. It’s so raw. And I liked the way it showed up within the narrative. What really stuck with me was how Sideways opens up to the reader as her new friends let her further and further into their circle. It’s endearing, it’s powerful, it gave a kind of joy that can only come from finding family-like friendships.
Magic within this novel implied stricter rules and more world-building, but since we’re discovering it as Sideways uses it for party tricks and later, teaching Daisy, Jing, and Yates how to cast spells, it made sense to me that it was mostly shown through the experience. The way Clarke ties it into the experience of queerness and teenhood felt powerful, especially as it relates to the trials and tribulations of leaving oneself vulnerable to let friends in. There was never a doubt that her friends would be her life line, even if Sideways herself didn’t quite know it yet.
On September 15th, join a coven of queer disasters as they discover magic and the power of friendship, told through a ferocious, fun voice all its own.
Summer is coming to an end, I guess. The autumn equinox doesn’t hit until September 22nd, but we can already get pumpkin spice lattes, so I’m saying summer is over. A few more books read this month. No interviews, but I have so much excitement coming in September. Continue reading