Financial fraud that ends in negative consequences for the perpetrators remains one of my key hyperfixations. I also enjoy painting while having a document on in the background. So, it was perfect when Netflix dropped a new document on the largest Ponzi scheme in history, executed by Bernie Madoff, which left literal bodies in its wake and the disappearance of billions of dollars in savings and long term accounts. A friend tipped me off about the book that inspired the documentary, so naturally, I queued that up on my TBR immediately.
I think watching the show and reading the book in parallel helped my understanding of the both the people involved and the execution of the fraud. With its interviews and depictions, Madoff: The Monster of Wall Street definitely focuses more on the human element while Madoff Talks does a good job distilling the finances, economics, and (lack of) governmental oversight that made a fraud this huge possible.
While watching The Dropout with a good friend of mine, she recommended Dopesick the show to me. Seven episodes in, I found myself so absorbed in the fabricated stories that I wanted to dive immediately into the true story that inspired the acclaimed miniseries. Naturally, I binged it on audible, and then watched Episode 8. So, we’re in for another double review.
Once again, I’m reading very similar things in fairly rapid succession. Both works take place on sea vessels and involve vampires on said vessels. I thought it would be fun to combine the review posts for Blood Cruise by Mats Strandberg (2018) and Noah and the Blood Sea by Yu Satomi (2019-2021).
To get in the mood for spooky season, I’ve decided to dip back into some horror reads. Katherine Arden’s shift to Middle Grade has been on my radar for a bit. What a delightful series it is. We follow the scary adventures of Ollie Adler, Coco Zintner, and Brian Battersby, three middle schoolers with different experiences of the supernatural. These books are scary but heartwarming, with tense situations and fantastic character development. The cliffhanger Dark Waters ends on makes me impatient for the next book, but they are a delight and highly recommended for fans of things like Over the Garden Wall, Crimson Peak, and urban legends coming to life.
It took me ten days to listen to the interview between Last Podcast on the Left, Harold Schechter, and Eric Powell discussing their new graphic novel project because I kept getting distracted by reading Schechter’s work. I thought it would make more sense to combine the reviews.
I spend more time than is probably recommended listening to Last Podcast on the Left. Which is why it surprised me that it took me days to get through an interview that’s just under an hour long. Infected with Marcus Parks’ enthusiasm for Schechter’s work, I wanted to dive in and do some of my own reading. Wow, the hype is definitely well-earned. The discussion of mental health in both works seem somewhat progressive for their time, especially given the subject matter. The structure of both novels also kept me engaged and is worth studying from a story-telling perspective.
I read these books in close proximity to each other. After learning that the non-fiction was used as research for the fiction, I thought it would be neat to combine them.
Cults are a subject that have fascinated true crime writers and fans for quite some time. From their deadly demises to the strategic and manipulative ways they entice people to their group, there is so much to examine, and so many opportunities for heart-break. In 2021’s The Project, Courtney Summers tells the story of a budding journalist, Lo, who tries to reconnect with her sister, Bea, who had been lost to a cult, The Unity Project. The rise of Lev Warren can be easily mapped onto the rise of Jim Jones and Peoples Temple in the 70s, a socialist organization which had a flimflam man who believed himself God at its center. Both books are chilling, heartbreaking, and compliment each other so well.