Listened to the audiobook
Trigger warning: sexual assault, murder, body horror, cannibalism, and the depravity of history’s most notorious serial killersI’ve been listening to Last Podcast on the Left (LPotL) for a while now. What keeps me coming back to them is the depth of research that goes into the episodes (especially the multi-part stories) and the way they portray the heinous murderers from past and present as the losers they are. There’s nothing to admire with these folks and LPotL loves to use humor to strip these monsters of any “rock star” status they might have acquired as a fascination with true crime had gone mainstream.
This book covers: Ted Bundy, Richard Chase, Ed Gein, John Wayne Gacy, Richard Ramirez, David Berkowitz, BTK, Andrei Chikatilo, and Jeffrey Dahmer. These heinous villains eras past have a full chapter devoted to each other, starting from childhood going all the way through their demise. While there is much focus on the severity of the crimes, there are also many details provided about the victims, but, most importantly, the structural failings of the American justice system (with the exception of Chikatilo, who was active in the U.S.S.R.). There is also so much time spent on contextualizing America (and Russia) at the time of the murders, the kinds of behaviors and attitudes which let these crimes slip through the cracks, and persist to monstrous notoriety. It’s clear that Parks did most of the writing, but Zebrowski and Kissell do make asides that ease some of the tension and terror.
Respect for the art of research and an enthusiasm about covering the macabre with the same blunt humor permeates off the page. If you’re a fan of the podcast, you will be a fan of the book.
Content warnings: Alcoholism, suicidal ideation, panic attacksThis tale of toxic friendship and con-artistry opens with the narrator on what should have been an idyllic vacation in Morocco with friends. It quickly turns into a nightmare when credit cards decline and tough financial decisions to prevent more immediate problems arise.
I had vaguely heard of the story of Anna Delvey when it made the rounds on social media. Admittedly, I went into this tale expecting a ruckus tale of rich people shenanigans and extortion. I was pleasantly surprised with what this book actually is.
The level of self-reflection in this work is something else. You can easily see how Williams fell under Delvey’s spell, under the guise of trust that got taken advantage of. The mismatch of friendship expectation made this a slow read for me because even though it’s public knowledge how the cons ended. The pacing when Williams tries to get in touch with the increasingly distant Anna leaps off the page, especially given the plain presentation of their correspondence.
Much quieter than expected, but heart-aching and engaging nonetheless.
Read a NetGalley eARC
Trigger warnings: Body horror, Ku Klux Klan, arson, lynching, gore
In this historical dark fantasy, the Ku Klux Klan also turns into literal abominations powered by hate. What stands between them and summoning their elder god is a Black girl with a leaf-shaped sword and the power of Shouts.
The voice in this novella is incredible. This story could not have been narrated by anyone other than Maryse in Georgia during Prohibition. The setting and prose leap off the page and immerse the reader in rhythm, aesthetic, slang, cuisine, and more. This effect works well during the more uplifting moments centering Maryse and her community, and brings forth terrors when the mouths start appearing on metaphorical monsters in uncanny places. The creature designs fit the Shout motif which repeats throughout the novella.
The pacing is great and hits several familiar beats as far as fantasy stories go. To say more would ruin some magical moments and spoil some of the fun, horrific action sequences that span this book. But I found Maryse’s character arc compelling. Moreover, I loved the relationship among Maryse, Chef, and Sadie. One of my favorite things to see in fantasy is the girl Chosen One surrounded and supported by other women in her community. It was joyful and uplifting, despite the tragedy and horror happening around them.
This book is intense and horrifying, but ultimately fun as a community of eldritch horror slayers go against a KKK steeped in Lovecraftian designs.
Listened to the audiobook
Content warnings: Body horror, bad taxidermy
After a divorce, 34-year-old Kara moves in with her uncle rather than live with her mother. Uncle Earl owns the Wonder Museum, a place full of strange and manufactured finds, which is the key tourist attraction in their small town. A hole in the walls pulls Kara and her friend Simon into a twisted Narnia full of willows and untold horrors.
This book is immersive in the creepiest way. You are so deep in the physical sensations and the way reality slips slowly away from Kara as she gets deeper and deeper into the secrets of this haunted, hollow place. The creatures are creepy and vivid. But more over, I greatly admire how the narrative makes sure to let the reader that these terrors are having an effect. There’s lingering trauma that make more pedestrian problems seem far away, especially the rock bottom Kara felt like she hit.
What unnerved me the most was that this alternate reality is simply a malevolent beast. Unlike other horror where the chills and thrills clearly map to the protagonist’s trauma, this one just exists in its own evil. Thankfully, Kara has enough snark and faulty coping mechanisms to elicit a laugh when the tension gets too much.
If you ever wondered what Narnia would be like if it was less fairy tale whimsy and more Pan’s Labyrinth folk horror, definitely step into this world nested between different realities.
September marked the beginning of autumn, of Revision Season, I celebrated my eight year anniversary with my boyfriend, and made a lot of progress as far as job hunting goes. With that came exhaustion, however, so this month’s recap is a bit lighter than normally. Also Hades dropped and that’s been really good for my creative well.
Listened to the audiobook
Content warnings: Discussions of violence and rape
The depth of my knowledge of ancient Rome starts with a loose understanding of Romulus and Remus, and ends with Shakespeare’s plays.
Beard’s account of Rome’s first millennia is full of colorful characters, dissections of different accounts, and touches on the myriad relics that continue to be found to this day. This book is so easy to listen to. The stories flow into each other and each chapter builds on what came before it. SPQR manages to hold the story of early Rome, while managing to go into depth on certain stories. The fact that this is not a Cliffs notes account of all the politics, intrigue, and conflict is really something to behold.
What really endeared me was how funny it was in places. Perhaps it was my own ignorance, but the dead pan way Beard presents the tales really worked to tickle me. My personal favorites include the truth about the assassination of Julius Caesar and several attempted murders on collapsible boats.
In terms of minor gripes, if you enjoy a plethora of rhetorical questions, this is the nonfiction work for you. Some of them do eventually get answered, if only tangentially. But there is enough material proposed to fill another 500+ page book. In addition, my favorite chapter was the one about the haves and the have-nots. It covers unseen aspects of culture that get overshadowed by the nigh-legendary political stories. This discussion, however, can also cover another 500+ page book.
A fantastic, easy-to-read primer on early Rome with enough material to encompass further exploration and learning.
Fairy tales from the East and West come together in this brisk tale of regret, forgiveness, and closure told in flashbacks while two legends—Hou Yi and Rosa (Red Riding Hood)—hunt sunbirds to save their countryside.
I love how the present-day story serves as a book-end to having the two characters recount to each other their great tragedies. As readers, we get to watch that past unfold on page. Huang expertly balances nostalgia and regret, while also having the characters be open about feelings that made past decisions seem like a good idea in the first place. Both main characters are honest with each other in a way that’s compelling both as people who need to work together to solve an immediate problem and as people who need to make room for healing from the past.
In addition, how many retellings appeared in one novella impressed me. We got the fairy tales of our main characters, but Goldilocks and Beauty and the Beast also make an appearance. The world-building isn’t heavy in this one, but the subtle way Huang highlights the difference in Hou Yi and Rosa’s languages was a very nice addition.
Two older queer women (one of whom is trans) embark on a retelling that suggests that there other ways to make things last than quests for immortality.
Read a NetGalley eARC Content warnings: Cutting off a finger, removal of an eye
The structure of this novella is absolutely fascinating. Manet, Amanuensis to the God King, is trying to solve the riddle of her origin and the secret of the king himself. She also has the seventh perfection, a condition which grants her perfect memory.
Which leads seamlessly explains why and how each chapter of this book is told via dialogue from an intriguing character. It reads to me like the dialogue from an RPG, except we don’t have the visuals and interiority of the main character to ground us in a story. It’s all told from the perspectives of essentially NPCs. But the tone, pacing, and sense of a larger world are all there. The history and aesthetics of the land simply shines. It’s a magic-techno world where a discussion unfolds about mythology and the veracity of epic tales that become more legend than historical account, even if contemporaries still exist in the present.
The journey to having the curtains pulled on god’s truths is a wild ride, and The Seventh Perfection is highly recommended for those wanting to read experimental novels or novellas.
Read a NetGalley eARC Content warnings: Water and drowning, cult activity
Piranesi is a book that takes place in an impossibly labyrinthine mansion where the basement is flooding. It is told from the journal of a narrator who may or may not be named Piranesi.
The plot centers on Piranesi cataloguing all the locations and the ways he spends his days. There are two other characters, the Prophet and the Other, who exist in the world of the House. Having the story be presented in the form of diary entries really worked for the intrigue. The narrator knows about as much as the reader does, and the pace which both reader and narrator learn the truth of this strange locale works really well. There is also an examination of identity and freedom, which come together seamlessly by the very end. To speak more specifically is spoiler-territory.
The prose and presentation read like a dream diary. The decision to capitalize most proper nouns and giving enough detail to get the sense of shape, but keeping the aesthetic overly vague really added to dream-like quality of this work. There is a sense of time being all sorts of broken, and it all works to unsettle but entrance the reader.
Creepy but entrancing, a whimsical novel with all the trappings of dream gothic.
Malus Domestica continues as Robin Martine and her boyfriend Kenway roadtrip through the American Southwest, only to befriend a mother and daughter on the run from a bikers-turned-werewolves. It’s Mad Max: Fury Road with shifters. I’m pleased to host author S.A. Hunt once again to talk about crafting this story and what’s next.