Rating: 4/5 stars
Genre: Young Adult Dark Fantasy
Year Release: August 2020
Source: NetGalley eARC
Buy links: Bookshop | Unabridged Books | Barnes and Noble
|Read my NetGalley eARC
Every year in Caldella, a boy is taken to be sacrificed by the witches to prevent the dark tide from rising and swallowing the city. When Lina realizes her brother, Finley, and her crush, Thomas, are potential targets, she offers herself up.
The language throughout has the whimsy and atmosphere like a classical fairy tale. The atmosphere is just perfect and the reverence towards legends makes the world feel lived in. Every scene uncovers a new, dark secret about the world of witches and serpents, with some wonderful gray morality throughout.
Throughout, the book focuses on sibling relationships and takes a very deep dive into selfishness, grief, and what heroics mean. The tensions are very individual, but it never lets off the focus on saving the city. I wish we had gotten to spend more time in Thomas’s head to get to know him better, but perhaps that will be further explored in the next tome.
A fabulous tale that’s queer and dark, perfect for fans of Alexandra Cristo’s To Kill a Kingdom.
Rating: 5/5 stars
Genre: Young Adult Fantasy
Year Release: February 2020
Source: Edelweiss eARC
|Read an ARC acquired via Edelweiss
Not to sound like SNL’s Stefon, but this book had everything: queernorm, a four-faced god with six eyes, blood magic, art as propoganda, a traveling theater troupe, Italian-esque city- and country-design, disaster bisexuals, killing gods.
Celia and Anya are best friends who are inklings, devotees of the religion of Profeta, which worships a Divine who can only communicate via tattoos. Fed up with their church’s abuses, the two see a chance to escape when they audition for the Rabble Mob of Minos. But their performance proves more subversive than Profeta would like and it turns out that the Divine isn’t just a religious figment of mythology.
There was so much to like here. The highlight for me was the friendship between Celia and Anya. They are very close, both queer, and love each other, but that does not mean they are together. Overall, the queerness in this novel is so casual. Celia has two moms, multiple characters use “they” pronouns, the tenors which indicate a person’s gender identity aren’t binary. I crave this kind of queernorm world-building. It made me squee with each new detail.
In addition, I really enjoyed that Profeta itself proved a character in the novel. The religion takes on a life of its own throughout the novel. Smejkal deftly drops details both about Celia’s past and the machinations of the religion throughout the narrative in ways that feel like they add context instead of an information dump. Keeping the novel structured in three acts with interludes really fits the theater aesthetic as well.
After all, this dark fantasy is about the performance and interpretation of art, just with some disaster queers, and I want to throw it at everyone I know.
When I found out there was a dark YA fantasy partially inspired by Poland, I knew I had to get on that hype train asap. Thank you Wednesday Books for an ARC of Wicked Saints, Emily A. Duncan’s debut about blood magic, religion, pious girls, alcoholic princes, and monster boys. Dark and gothic in aesthetic, this book is not for the faint of heart and I loved so much about the conflict and dynamics among our three protagonists, Nadya, Serefin, and Malachiasz. Emily took time to answer some questions about Nadya’s holy relationships and books to read once the book hangover wears off. Continue reading