I read 198 books this year in a split of: 39 ARCs, 59 audiobooks, 85 manga volumes, 9 physical copies, 2 light novels, and 6 eBooks. As my boyfriend said, “That’s a lot of things, Jo.” It is that time of year where I want to share my favorites, so please enjoy my top 20 2021 books, top 20 books from before 2021, and, a new feature, 5 manga.
I realize that I make lists for books I’m excited for and book I want to read, and failed on both those lists. So, my lists for 2022 books is mostly about boosting others works regardless of if I personally get around to reading them. That’s just how it is when you’re employed and vastly mis-measure what kind of focus you’ll have as the year goes on. Moving also robbed me of a bunch of my focus, which should not have been as surprising as it is. On top of working full time. On top of being in a relationship and trying to participate in the communities I’m a part of.
October went by quickly. I had the opportunity to go to Sirens Conference where I was on a panel about nonbinary representation in science fiction and fantasy. I also had a hard time reading this month, which was unfortunate, but I did enjoy the books, ARCs, and manga I did manage to read.
Elsa Sjunneson’s debut memoir, Being Seen: One Deafblind Woman’s Fight to End Ableism, is one part personal history, one part sociology, one part media criticism, all wrapped up in an inclusive package that invites the reader to examine the ableist world around them. In this interview to celebrate her debut, the author discusses the origins of the memoir, the process of putting it together, and what we can look forward to next.
Read an eARC from NetGalley Content warning: ableism, depression, suicidal ideation, medically-assisted suicide, assault (sexual and physical, mentioned), child abuse, spousal abuse, eugenics, Nazis
Elsa Sjunneson is an award-winning writer, professor, and media critic. She is also Deafblind woman with partial vision in one eye and bilateral hearing aids. This memoir takes the reader through her personal history while also seamlessly incorporating critique of popular works featuring disabled characters and dispelling myths about the disabled experience through a combination of lived experience, history, sociology, and pop culture.
Infused with intersectionality, dry humor, and passion for the media critiqued, this is not one to miss.
The author Elsa Sjunneson will be featured on the blog tomorrow, October 26th, release date.