July was…heavy, to say the least. There was some writing professional news that netted out less than positively, a meteor of a personal emergency that is still unfolding, and I think I finally figured a writing time management system that works for me (and a realization that I definitely write to run away, and there is a lot I want to run from).
I also went to NYC to see my family and catch up with some friends. Equally restful and stressful. I’ve stayed safe from disease the best I can, and wish the same for you and yours.
Read an eARC from the publisher Content warning: death, discussion of suicide, abusive relationships
Orpheus and Eurydice get the CW treatment in this retelling that puts the tragic couple in college. Both are music majors, and both have different goals for their relationship as well as their musical careers. A litany of questionable choices follow, told in the past in the music program and present in the Afterlife.
Really fun with delightfully messy relationships and excellent use of music references to move the story along.
An interview with author Jordan Kurella will be going up on release day, August 15th, 2022.
My birthday month has come and past. Have I caught up on my reading goal? No. How is the writing going? It’s going. The highlight of this month was absolutely attending ALA AC 2022 in Washington D.C. with one of my best friends, Elliott, as part of the Zine Pavilion. Many zines were peddled, authors met, and despite the masking, things felt normal. I also accomplished holding a plank for a minute straight! It’s been a good time.
Read an Advanced Bound Manuscript obtained from ALA AC 2022 Content warning: racism, colorism, transphobia, queerphobia, 1920’s sexism, vomiting, PTSD
I will continue to read every and any retelling of The Great Gatsby. With McLemore being one of my auto-buy authors, this seems like a match in heaven. In this spin, Nick and Daisy are Latinx cousins, with Daisy abandoning her background to pass as white among the East Coast elite. Nick and Gatsby are both trans, giving them something else in common aside from a history with Daisy.
While the plot matches its source material approximately beat by beat, the character development and interpersonal relationships in the context of societal expectations makes this retelling shine bright like a chandelier at one of Gatsby’s parties.