My 2022 in Reading: Jo Needs a Nap

I read 192 books this year in a split of: 54 ARCs (up from last year), 33 audiobooks (down from last year), 72 manga volumes (down from last year), 20 physical copies (up from last year), 8 light novels (up from last year), and 5 eBooks (down from last year). I want to share my favorites, so please enjoy my favorite 20 2022 books, favorite 10 books from before 2021, and my favorite 5 manga. I would have done a favorite 20 of backlist books, but, unfortunately, I did not prioritize this year, and I think that contributed to my exhaustion.

Overall, it’s not as many things as last year, and it did bring me dangerously close to burning out on reading. 2023 will be a year for resetting some of my priorities with regards to reading, which will focus on my backlog and reading a whole lot of light novels.

Note: Harper Collins book links have been replaced with the linktree for the Harper Collins Union until that publisher goes back to the bargaining table

Continue reading

Review: FLOWERS FOR THE SEA by Zin E. Rocklyn (2021)

Genre: Adult Horror
Year Release: 2021
Source: Sirens Con 2021 (Physical Copy Buy Link)

Rating: 5 out of 5.

Content warning: realities of birth, generational trauma, vomiting, infant harm and death, body horror, threat of drowning

On an ark escaping from a flooded kingdom, Iraxi is ostracized both on land and at sea, with her pregnancy the only thing keeping her company. Claustrophobic in its intimacy, this story has her narrowly escaped hell only to find herself in a new nightmare of razorfangs and other things that stalk the deep.

The language in this novel is intimate and precise. The location is tight – it takes place entirely on a ship escaping from a drowned world. Outside, there is the danger of literal sea monsters. Inside, there is starvation and distrust, especially as Iraxi seems to be the only one to have successfully gotten pregnant in the last five years. There’s hope in the new birth, but also fear of what comes next from her fellow passengers and rejection as Iraxi questions if she even wants the child altogether. The other characters aren’t much help either, though they definitely explain a lot as to why Iraxi feels the way she does about her predicament, both personally and on a community-level.

The horror found within pulls no punches, with key moments engaging both visual fears as well as audio, making for incredible reading jump scares. Pregnancy is part of the peril here, as is the child that comes of it. There is some body horror in addition to uncomfortable nightmare sequences to depict the before-times. I won’t go more into specifics because it’s best experienced first half, but it is as terrifying as it is awe-inspiring.

Anger simmers and propels the plot forward. Though there is time ticking with the upcoming arrival of the baby, Rocklyn keeps the reader going with hints as to what got Iraxi on this path, why she’s so angry, arriving at an ending that tracks perfectly.